Showing posts with label Technique. Show all posts
Showing posts with label Technique. Show all posts

Monday, August 24, 2015

Laughing Gull and Whimbril-How I Made a Composite Picture

Composite Picture Laughing Gull and Whimbril
As I was reviewing my pictures from Horseneck beach that I took the other day, I notice two pictures with a juvenile laughing gull and a whimbril.  In one of the pictures, the whimbril was in focus and in the other picture, the gull was in focus.  
Original Picture. One
Original Picture Two
I thought it would be nice to have a picture with both birds in focus.  As an artist, I decided to create a composite picture that had both birds in focus.  First, in Lightroom, I made sure that the develop settings for both pictures with the same.  Next in the library module, in good view, I highlighted the two pictures and exported them into Photoshop.  Here is how I did it









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Tuesday, July 8, 2014

Time Stack at Sunset

Original View
I have done time stacking to produce star trails, but have not use the technique for daytime photography.  I read a tutorial on time stack by Matt Molloy http://500px.com/blog/1051/tutorial-time-stack and decided to try this out myself, since it looked interesting.  My first attempt did not work well because there was not many clouds and they were not moving.  Last evening, there were more clouds in the sky, so I decided I would try again.  First question was where to go?  My grandson, who was coming with me said let's go somewhere different.  I opened up The Photographer's Ephemeris on my computer and looked for an area that would give us a view over water.  I decided on Lake Nippenicket in Bridgewater, Massachusetts.  By the way The Photographer's Ephemeris is it great tool to help you decide on locations and sunrises and sunsets.  It is free to use on your computer and it is also available as a App on android and Apple devices.

After we parked the car in the parking lot took our equipment down to the water.  The view was excellent.  I set up my camera, leveled it, made sure that everything was in focus, took the camera off auto-focus. My settings were in manual mode, low ISO, and set the exposure so that the clouds were not overexposed, since when I stack the pictures, I did not want pure white in the clouds.  Since I use a Nikon camera, which has a built in intervelometer, my settings were to take one picture every five seconds.  If you use a Canon camera, you will have to use and external wired intervelometer.

I took a series of photographs until the sun was behind the low bank of clouds on the horizon.  At that point I stopped the camera, reposition it and took another series of photographs as the sky turned blue and the top of the cloud bank was glowing from the sun.

After downloading the pictures into Lightroom and examining them, because the clouds were slowly, I selected every sixth picture of the first set for a total of 11 and exported them into Photoshop in layers.  My next step was to select all the layers except the bottom one, and change the mode from normal to lighting.  Liking what I saw on my computer screen, I flattened the layers, then duplicated the layer and ran adjustments on that layer, utilizing Camera Raw, Topaz, Clarity and Detail to give me the picture that I wanted.

First picture of the series with no adjustments
Sunset and clouds stacked

For the second set, I selected every other photograph for a total of 10 and then followed the same technique that I did for the first set.

First picture of the series with no adjustments
Sunset and clouds stacked
I like the way the pictures turned out and will continue to experiment more with this technique.

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Saturday, July 6, 2013

Fireworks, My Technique

Today's blog is how I photographed the fireworks over the Esplanade.  My equipment included Nikon D3s, Tokina 17-35 mm F/4 lens, a sturdy tripod, and a cable release.  My settings were ISO 200, F/11, 2 seconds at 23 mm.  I pre-focused my lens and then change the camera to manual focus.  I left the lens on autofocus, since if I accidentally touched the focusing, dial it would not change the focus, like on some of the lenses.  On this Tokina lens to manual focus, you have to pull the focus ring to manual focus.  I experimented with longer shutter speeds and found that two seconds gave me the best picture.  Really, what made the fireworks photography in Boston easy, was that the fireworks were almost continuous with hardly any delay between sequences.  The reason I chose my Nikon D3s was because of its faster continuous frames per second and it's faster buffer, then my Nikon D800.  Utilizing the shutter release.  I pressed it on and click the button to keep it on and let the camera fire away.  In this series of images which is a complete sequence from start to finish of a fireworks display. Time between the start of one picture and the start of the next picture averaged 3 seconds.  I did all my post-processing in Lightroom 5 for these pictures.

Fourth Of July Fireworks

Fourth Of July Fireworks

Fourth Of July Fireworks

Fourth Of July Fireworks

Fourth Of July Fireworks

Fourth Of July Fireworks

Fourth Of July Fireworks

Fourth Of July Fireworks